La Grande Allée

La Grande Allée Patterson Webster in collaboration with John Hay La Grande Allée   2018–ongoing Crabapple trees, cast-iron lamppost, paint, tin Collection of the artist In this vast installation, 100 white crabapple trees are arranged in two parallel lines, flanking an 800-foot-long path that bisects a farm field. At each end of the allée, 12 pink…

La Seigneurie

La Seigneurie Patterson Webster La Seigneurie 2019–ongoing Canola, barley, flax, oats, red clover seeds, wrought iron Collection of the artist This installation is composed of farm crops planted in long narrow strips that recall the system of land division common during Quebec’s French colonial period. With this planting pattern, the artist recognizes an important part…

Two Roads

Two Roads Patterson Webster Two Roads   2011 Cedar tree trunk, acrylic paint, acrylic lettering Collection of the artist This sculpture features a tree trunk whose naturally forked branches point in two directions, offering a choice of paths. The trunk is painted yellow and on it is a sign with the words “Two Roads,” a reference…

Abenaki Walking II, The Clearing of the Land

Abenaki Walking II, The Clearing of the Land Patterson Webster Abenaki Walking II, The Clearing of the Land   2018­–2020 Ash trunks and branches, split rails, tree stumps, harrow, cedar posts, apple trees, stacked logs, granite, acrylic paint Collection of the artist This site-responsive installation, spanning a wooded area and a cleared field, dramatizes the many…

In Transit/En Route

In Transit/En Route Patterson Webster In Transit/En Route   2010–11 Glass, acrylic sheets, stainless steel, stainless steel clips, acrylic lettering, fieldstone, pine box, cedar posts Collection of the artist This site-responsive installation encourages meditation. Square glass panels suspended in mid-air along a forest path pose questions that ask walkers to pay attention to the passage of…

Abenaki Walking

Abenaki Walking Patterson Webster Abenaki Walking   2012–13 Ash tree branches and trunks, granite, cedar tree trunk, acrylic paint, split rails, barbed wire Collection of the artist This site-responsive installation stretches across the Upper Field to pay homage to the creation myth and history of the Abenaki First Nation, the original inhabitants of the land where…