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Creating a Scene

When our children were young, I dreaded taking them to the grocery store. If I was lucky, the expedition would be quick and easy. But some days, the little brats screamed for chocolates  or put unwanted items into the shopping cart, and when I took them out, they created a scene. Unpleasant for me and…

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Continuum, Part Three

In 2005, I started to cut a trail at Glen Villa; that trail became Timelines, the walk through fields and forests where art installations explore ideas about history, memory and our relationship to the land. I’ve written about this trail in many blog posts; I wrote about Continuum, one part of the trail, in two posts last fall.…

Many people walking the trail ignored the sign pointing to Mythos and continued along the main trail.

The Value of Criticism

Recently an article titled “Gardens Need Criticism” was posted on the garden website Veddw. Written by Veddw’s garden maker Anne Wareham and originally published in Garden Design Journal in 2002, the article prompted me to think about the art of critiquing gardens and the art of receiving critiques. Last year a well-informed group of landscape architects and designers visited…

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Continuum, Continued

Over the last few weeks, while the weather was remarkably kind, I’ve continued to work on an extension to Timelines, the trail that explores ideas about memory, history and our relationship to the land. I wrote about the initial work on Continuum in my last blog post, almost a month ago.  Since then, lots has happened. We added a…

The Forms are one installation on Timelines, the trail at Glen Villa that explores ideas about history, memory and our relationship to the land.

Autumn Leaves

Walking through the woods recently, I passed this installation, called The Forms.     The colours of the plexiglass shapes stood out from the muted tones around them, attracting me like a magnet. Closer, I noticed leaves scattered on top of them, some haphazardly, some artfully arranged.     The contrast in colours atop the orange…