{"id":4530,"date":"2016-10-25T12:56:23","date_gmt":"2016-10-25T12:56:23","guid":{"rendered":"http:\/\/www.siteandinsight.com\/?p=4530"},"modified":"2016-10-25T12:56:23","modified_gmt":"2016-10-25T12:56:23","slug":"ascott-a-garden-review","status":"publish","type":"post","link":"https:\/\/glenvillaartgarden.com\/fr\/ascott-a-garden-review\/","title":{"rendered":"Ascott: A Garden Review"},"content":{"rendered":"

Note: Recently I became aware of a technical glitz that was causing problems with the delivery of this blog. It has now been resolved.\u00a0<\/em>To those of you reading\u00a0a\u00a0blog post for the first time, even if you subscribed many months ago — my apologies for the delay and welcome to the Site and Insight blog! I welcome your comments.<\/em><\/p>\n

\n

 <\/p>\n

\u00ab\u00a0It is magnificent. It is what God would have done if he had the money.\u00a0\u00bb \u00a0<\/em><\/p>\n

I don’t know whose garden\u00a0Noel Coward was describing when he penned those words, but you can bet that the garden was\u00a0in England.<\/p>\n

Magnificent gardens\u00a0are a commonplace there, so numerous that even someone like me who loves visiting gardens can tire of them. So many pretty flowers, such neat borders, all so perfectly edged. So many grand vistas, so many stone terraces, so monotonously predictable.<\/p>\n

Would Ascott be a garden of this sort? \u00a0It\u00a0has been a National Trust property since 1947, and in almost 70 years a lot can happen to a garden, good and bad. But a Rothschild still lives at Ascott, in a house that dates back to the early 1600s and the reign of James I. Knowing that the garden had been created by several generations of the Rothschild family, I expected\u00a0that money would not be an issue. But would money\u00a0translate into godly magnificence?<\/p>\n

 <\/p>\n

 <\/p>\n

\"Formally

Formally clipped Portuguese laurels\u00a0line a perfectly edged walkway in front of Ascott house. Over the years the house has been added to and modified to create the Tudor-style fa\u00e7ade you see here.<\/p><\/div>\n

 <\/p>\n

The gardens at Ascott were laid out by the eminent horticulturalist Sir Harry Veitch around 1902 for Leopold de Rothschild, who gave the gardens as a wedding present to his wife. Suitably, a sundial sends a loving message in tightly clipped yew: \u00a0\u00a0\u00ab\u00a0Light and shade by turn, but love always\u00a0\u00bb.<\/p>\n

 <\/p>\n

\"The

The sundial is made of golden and darker Irish\u00a0yew and dwarf golden boxwood. The hours are shown in Roman numerals. A heart appears at either end of the text which is written in block letters.<\/p><\/div>\n

 <\/p>\n

Many aspects of the garden are what you’d expect to find in a grand English garden built in this period — stone terraces \u00e0 la Gertrude Jekyll, sweeping lawns, flowering shrubs. Along with splendid old trees, clipped hedges and topiary dominate the property. One hedge rises in impressive layers to form a barrier in tones of green.<\/p>\n

 <\/p>\n

\"The

Standing beside this towering hedge felt like being next to the prow of an enormous ocean liner. The Titanic, perhaps?<\/p><\/div>\n

 <\/p>\n

There is, of course, the obligatory long herbaceous border. Here it is called The Madeira Walk although I don’t know why. It was predictably attractive when I saw it in late May\u00a0although\u00a0it\u00a0failed to elicit the excitement I normally feel when seeing flowers massed\u00a0in abundance.<\/p>\n

 <\/p>\n

\"A

The tones along the Madeira Walk were muted on the day I visited. Perhaps on other days or later in the season they would be more exciting.<\/p><\/div>\n

 <\/p>\n

Oddly, the feature\u00a0that did excite me had nothing to do with flowers. (In fact, the planting in this circular garden room\u00a0was less than stellar.) Instead it was\u00a0a\u00a0large bronze statue of Venus, by the American sculptor Thomas Waldo Story.<\/p>\n

 <\/p>\n

\"The

Winged horses pulling a sea shell chariot, with cupids holding the reins: what more could anyone ask for in a statue of this ilk?<\/p><\/div>\n

 <\/p>\n

Readers who know my taste in art may find this surprising. I was surprised myself. Normally I would barely glance at a statue of a scantily clad woman attended by cherubs, or else I would look at it and make a facetious comment\u00a0or two. But the fine workmanship and the over-the-top, no-holds-barred exuberance of this statue stopped me in my tracks.<\/p>\n

As did other aspects of the garden. I loved the elephant tromping\u00a0along the side of a hedge.<\/p>\n

 <\/p>\n

\"A

Visitors could easily miss seeing this elephant. But what a shame if they\u00a0did.<\/p><\/div>\n

 <\/p>\n

I loved the square window cut into the barrier hedge, and the tiny dome that perched there, a miniature version of the larger dome in the foreground.<\/p>\n

 <\/p>\n

\"Straight

Straight edges are essential for this kind of formality to work.<\/p><\/div>\n

 <\/p>\n

I loved the tippy topiary in the Dutch garden …<\/p>\n

 <\/p>\n

\"Stacked

Stacked towers tip to the sun near another statue by Thomas Waldo Story.<\/p><\/div>\n

 <\/p>\n

… and the embracing trees that threatened to form a heart in mid-air.<\/p>\n

 <\/p>\n

\"Nootka

Seeing these enormous trees reminded me of the topiary creations of the American gardener Pearl Fryar. I wrote about his garden here<\/a>.<\/p><\/div>\n

 <\/p>\n

I was less excited by the slate sculpture by\u00a0Richard Long.<\/p>\n

 <\/p>\n

\"The

The Ascott Circle, by Richard Long: another echoing form<\/p><\/div>\n

 <\/p>\n

The Ascott Circle is located in an section of the garden that is\u00a0full of circles, between the hedges that surround the Venus statue, the clipped yew sundial and\u00a0the Titanic\u00a0barrier hedge. A metal plate set flush with the ground\u00a0both identifies the artist\u00a0and\u00a0helps a\u00a0viewer understand his intent.<\/p>\n

A circle is real and symbolic.<\/em><\/p>\n

A stone is real and symbolic.<\/em><\/p>\n

Raw material: the land is made of stone or parts thereof.<\/em><\/p>\n

Cosmic variety: every stone is different like fingerprints or snowflakes. <\/em><\/p>\n

A circle of stones: from simplicity to complexity.<\/em><\/p>\n

 <\/p>\n

I like contemporary art, provocative art, art that appeals to the mind as well as the eye. I admire Richard Long and the land-based art he created over many years. Yet\u00a0as much as I wanted to admire\u00a0this particular circle of stones, I couldn’t. It felt out of place and heavily jarring in the setting.<\/p>\n

I read the text several times and tried to keep it in mind as I searched for a connection between the artwork and the site. I was hoping for something specific rather than cosmic. \u00a0Yes, the shape\u00a0echoed other\u00a0circular forms nearby, but that seemed a trivial connection and I could find no other.<\/p>\n

Not so at the newest addition to the garden. The\u00a0Lynn Garden, designed by the Belgian father and son team of Jacques and Peter Wirtz, celebrates the marriage of Sir Evelyn de Rothschild to Lynn Forester. As such, it immediately recalls the marriage a century earlier that is commemorated in the topiary sundial and establishes a sense of a continuing timeline and repeating events.<\/p>\n

The garden is set on the north side of the house and is approached via a path bordered by undulating beech\u00a0hedges that cast rollicking shadows on the lawn.<\/p>\n

 <\/p>\n

\"Shadows

Shadows emphasize the aptly named Serpentine Walk.<\/p><\/div>\n

 <\/p>\n

Entering the Lynn Garden, I saw an earthen mound surrounded by sweeps of ornamental grasses. More mounds appeared to the left and right, and circles encircling other circles, of water, hedges and trees.<\/p>\n

 <\/p>\n

\"A

A sweep of water, a circle of boxwood and ornamental grasses… simple forms leading to complex thoughts.<\/p><\/div>\n

 <\/p>\n

Following a\u00a0curving line of ornamental grass, I was mildly irritated to discover that I had to retrace my steps, but this retracing meant I saw the space again, from the opposite direction. Unlike many gardens where doing this reveals something unexpected, here there were no new views, no revelations. Rather there was a sense that I was going\u00a0backwards in time as well as space. The mounds and ditches were unlike other parts of the garden yet they seemed to fit, as if in some more significant way they had grown out of the site itself.<\/p>\n

It was only later, when I began to research the area, that I discovered that the nearby Chiltern Hills are dense\u00a0with Iron Age hill forts. These large enclosures surrounded by circular ditches and banks were not always built on hills nor were they necessarily built for defence. They had a range of uses, as homes for communities, places of trade or sites for tribal ceremonies — like marriages perhaps. \u00a0Reading the brief descriptions of Cholesbury Camp and Ivinghoe Beacon on the Chilterns website<\/a>, I was struck by subtle connections between those ancient earthworks and the contemporary garden. The distinctive clumps of trees on Ivinghoe Beacon’s bare hilltop seemed linked to the trees on the Lynn Garden’s mounds, and the\u00a0\u00a0unobtrusive location of Cholesbury as a place of refuge in times of trouble seemed mirrored by the almost secret location of the Lynn Garden itself.<\/p>\n

 <\/p>\n

\"Ornamental

Ornamental grasses, trees and water combine to form the Lynn Garden.<\/p><\/div>\n

 <\/p>\n

Whether these connections exist or arise only from my imagination is less important than the overall sense of satisfaction I derived from the Lynn Garden. This contemporary addition lifted\u00a0a fine, if not extraordinary, English garden from one level to the next. Through its use of sculptural landform, water and topiary, it added a sense of sophistication and continuity that drew together disparate parts\u00a0of the\u00a0garden into a continuum. Individual jewels become\u00a0linked into a single horticultural\u00a0necklace.<\/p>\n

 <\/p>\n

\"Shadows

Shadows of clipped trees add another curve to those of the circular pool, walkway\u00a0and island mound.<\/p><\/div>\n

 <\/p>\n

Is Ascott magnificent? Flowers were not at their peak when I visited but the views over the Chiltern hills were as splendid\u00a0as anyone could wish, And whose doing was that?<\/p>\n

 <\/p>\n

\"As

Sheep grazing, a leafy copse, yellow fields and a blue-grey sky: as lovely a creation as you could hope to find.<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Note: Recently I became aware of a technical glitz that was causing problems with the delivery of this blog. It has now been resolved.\u00a0To those of you reading\u00a0a\u00a0blog post for the first time, even if you subscribed many months ago — my apologies for the delay and welcome to the Site and Insight blog! I…<\/p>\n","protected":false},"author":1,"featured_media":12488,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[34,24,22],"tags":[635,58,156,636,637,638,639,640,641],"class_list":["post-4530","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-design","category-reviews","tag-ascott","tag-english-gardens","tag-garden-reviews","tag-jacques-wirtz","tag-national-trust","tag-noel-coward","tag-peter-wirtz","tag-richard-long","tag-rothschild","category-34","category-24","category-22","description-off"],"_links":{"self":[{"href":"https:\/\/glenvillaartgarden.com\/fr\/wp-json\/wp\/v2\/posts\/4530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/glenvillaartgarden.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glenvillaartgarden.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glenvillaartgarden.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/glenvillaartgarden.com\/fr\/wp-json\/wp\/v2\/comments?post=4530"}],"version-history":[{"count":0,"href":"https:\/\/glenvillaartgarden.com\/fr\/wp-json\/wp\/v2\/posts\/4530\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glenvillaartgarden.com\/fr\/wp-json\/wp\/v2\/media\/12488"}],"wp:attachment":[{"href":"https:\/\/glenvillaartgarden.com\/fr\/wp-json\/wp\/v2\/media?parent=4530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glenvillaartgarden.com\/fr\/wp-json\/wp\/v2\/categories?post=4530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glenvillaartgarden.com\/fr\/wp-json\/wp\/v2\/tags?post=4530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}